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Also, if one watches videos of Brown interviewed on Canadian TV, or sees pictures of him, one sees a smiling and laughing man. However, people are much more complicated than Brown makes them out to be: they are expressive and contradictory. This belief allows him to avoid thinking in any depth about why individuals are driven to do what they do: what role is played by biology, class, gender, sexuality, geography, etc.
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He wants to imagine that everyone is a free agent-a fully independent actor who is capable of fully rational decisions. It’s also a fantasy of "instant legibility" for Brown, people can by instantly understood-there is nothing that needs to be processed, to be mulled over: "Don’t look at my face focus on my rational argument about sex for cash." In a way, it’s consistent with Brown’s extreme libertarianism. His facial non-expression is a kind of fantasy of neutrality. Brown presents himself throughout the novel as somebody who deeply fears emotional connection and commitment. He encourage us to focus on the polemical aspects of his pro-prostitution memoir rather than its potentially pornographic aspects. So, I see Brown’s choice of a neutral, almost blank expression as an artistic strategy that allows him to direct readers’ responses away from the erotic. Y: A book that depicts dozens of sex acts could quickly become pornography it’s easy to imagine that Brown wanted to make sure that Paying for It in no way resembles porn, in which we see all sorts of grimaces, leers, and over-the-top emotional facial expressions. K: What do you make of Brown’s decision to draw his face without any expression, even during sex?